“Casting“
_{The Atlantic, October 26, 2025}

“Shelter“
_{Alaska Quarterly Review, Vol. 41 No. 3 & 4, Summer and Fall 2025}

“Vicarious“
_{Copper Nickel, No. 41, Fall 2025}

“Interim“
_{The Adroit Journal, Issue 54, August 2025}

“Spring of Whirling Omens“
_{High Country News, December 1, 2024}

“My Book Had Come Undone“
_{The Atlantic, April 24, 2024}

“Poem for Falling Bodies“
_{The Atlantic, January 14, 2024}

“Self-Portrait as a Woman Halved“
_{The Missouri Review, Poem of the Week, September 11, 2023}

“A Cord to Bind Us“
_{Diode Poetry Journal, Summer 2023}

“Blueprints“
_{Diode Poetry Journal, Summer 2023}

“Archipelago“
_{Blackbird, Summer 2023}

“Somehow History“
_{Blackbird, Summer 2023}

“Eternal Pistachios“
_{Poetry Northwest, Summer & Fall 2023}

“Portrait of Aphasia on a Plum Tree”
_{Alaska Quarterly Review, Winter 2023}

“The Culprit“
_{New Ohio Review, Winter 2022}

“Partition“
_{New Ohio Review. Winter 2022}

“Nesting“
_{Cincinnati Review, Fall 2022}

“Possible Consolations of a Brain Scan’s Topography“
_{poem of the week, The Missouri Review, Fall 2021}

“Agreeable Subjects“
_{Plume Poetry Journal, Fall 2021}

“The Book Eaters“
_{Beloit Poetry Journal, Spring 2021}

“The Pitted Bones”
_{The Cincinnati Review, Winter 2019}

“The Marrow”
_{West Branch, Winter 2019}

“Achilles Sees Life Leaving From his Heel“
_{Feminist Studies, Fall 2018}

“Wash That Man Right Out of My Hair“
_{Feminist Studies, Fall 2018}

“The Vase on the Shelf”
_{AGNI, Fall 2018}

“A Bird in the Mind“
_{Carolina Quarterly, Fall/Winter 2018}

“Phantom“
_{Prairie Schooner, Winter 2017}

“Operetta”
_{The Journal, Fall 2017}